The work of a conventional camera operator is a must for anyone wanting to make a career in the film industry as a specialist these days. Whether I'm working as an A-Camera Operator on a feature or helping a local client with image magnification for a corporate show, to me each image is as important as the other. No matter what the content or where it's intended distribution is, the shot must serve the story being told.
I bring my years of experience to each job with the same level of intensity. My goal is to help producers and directors communicate the goals of their project, no matter what medium we use or who sees the finished product.
I am experienced with most every type of camera head, including the wheels, whether a geared head on a dolly or a remote set-up for crane work.